❶ 梵高靜物油畫【一】
梵高的作品中充滿天然的悲憫情懷和苦難意識。例如在梵高藝術生涯的初期，繪畫最多的題材是礦區陰慘的場景和勞作的礦工。在埃頓時期，落日的翻滾、日里的農夫和農婦更多出現在他作品中。
Van Gogh's works are full of natural feelings of compassion and suffering. For example, in the early days of Van Gogh's artistic career, the most popular subjects were the gloomy scenes of the mining area and the miners working. During the ADEN period, the tumbling of the setting sun, the farmers and peasant women in the day appeared more in his works.
到多倫特和海牙時期，梵高的作品中開始頻繁出現哭泣的女人、足兩姍的老樹以及城市救濟院中的老人孤兒、駕車的老馬、勞作的農夫等等。
During the period of Dorente and The Hague, there were frequent crying women, old trees and old orphans in urban almshouses, old horses driving, working farmers, etc. in Van Gogh's works.
梵高對農民、蔽啟碰對田野生活、對鄉村田野風光有著很高的熱情，他喜愛農民的一切，尤其是向日葵、麥田、鶯尾花、豌豆花等。他經常旁臘選取這些散發著泥土清香的物象作為自己的繪畫題材，在他短暫的藝術生涯中，梵高憑借著自己敏銳的藝術感知力深情地、細致地描繪著這些質朴、自然的風景、靜物及人物，他也因此被稱為「畫家中最純粹的畫家」。與那些華麗璀璨的繪畫相比，梵高的畫更多的是朴實和雋永，他將自己無限宏談的激情傾注於這些樸素的花朵和田野生活中，使畫作產生了一種無法超越、無法模仿的藝術魔力。
Van Gogh has a high enthusiasm for the peasants, the field life, and the rural landscape. He loves all the peasants, especially sunflowers, wheat fields, irises, peas and so on. He often chooses these images of earthy fragrance as his own painting theme. In his short artistic career, Van Gogh vividly and meticulously portrays these simple and natural landscapes and still lifes with his keen artistic perception. The character, he is therefore called "the purest painter of the painter."
Compared with those gorgeous paintings, Van Gogh's paintings are more simple and timeless. He devoted his infinite passion to these simple flowers and field life, which made the paintings an art that cannot be surpassed and cannot be imitated. magic.
梵高曾經畫過許多有關向日葵的畫，雖然每次繪制的向日葵數目不一樣，花朵的姿態也都不一樣，但是它們都體現出了一種飽滿和勁頭。
Van Gogh has painted many paintings about sunflowers. Although the number of sunflowers drawn each time is different, the postures of the flowers are different, but they all show a fullness and strength.
此外，梵高還經常選用麥田作為自己的繪畫題材，從他所描繪的各式麥田的畫作似乎可以感知到麥田裡所散發出的一茲茲悲滄之情。如梵高創作於奧維爾的《烏雲籠罩下的麥田》就是以惡劣天氣下連綿不絕的麥田作為題材，傳遞出了凄涼、寂寥、壓抑和苦悶的情感。
In addition, Van Gogh often uses wheat fields as his own painting theme. From the paintings of various wheat fields he depicts, it seems that he can perceive the grief of the rags in the wheat fields. For example, Van Gogh's "Wheat Field under the Clouds" created by Orville is a theme of the endless field of wheat in bad weather, conveying the feelings of desolateness, loneliness, depression and depression.
再如，《有烏鴉的麥田》也是以麥田作為主要題材，並在麥田上方加入了一群黑黑的烏鴉，從而呈現出了一種深深的絕望和死一般的沉寂之情。當然，除了這兩種題材之外，梵高的繪畫還涉及到許多題材物象，但無一例外，它們都是質朴無華的，是和生活緊密相關的。
For another example, "The Raven's Wheat Field" also uses the wheat field as the main theme, and a group of black crows are added above the wheat field, thus showing a deep despair and a dead silence. Of course, in addition to these two themes, Van Gogh's paintings involve many subject matter, but without exception, they are all plain and unrelated, and are closely related to life.
梵高是一位色彩主義畫家，他對色彩的偏好幾乎達到了一種癲狂的狀態，這雖然與他的精神疾病有著一定的聯系，但是也不能否認梵高對於色彩的創造性的發現和表現。他的畫作中的色彩都是較為奔放、誇張的，這也深深地影響了20世紀的表現主義和野獸派繪畫。
Van Gogh is a colorist painter. His preference for color has reached a state of madness. Although it has a certain connection with his mental illness, he cannot deny Van Gogh's creative discovery and expression of color. The colors in his paintings are more unrestrained and exaggerated, which also deeply influenced the expressionism and Fauvism paintings of the 20th century.
第一，用光亮明快的誇張色彩進行裝飾。受新印象派畫家畢沙羅、修拉等色彩技法的影響，梵高摒棄了繪畫初期暗濁、沉重的色彩，開始採用一些高明度、高純度、高亮度的色彩，創作出了一種極具現代感和時尚感的色彩裝飾效果，他的油畫也因此越發鮮亮起來。在所有的高純度、高亮度的色彩之中，梵高最偏愛黃色，簡單明了的黃色帶有另外一層寓意，即象徵著太陽和大地，代表著光明和希望。在黃色的帶動之卜，梵高繪畫作品的色彩明度和純度對比都十分鮮明，產生了一種光亮明快的裝飾美感。例如，梵高的《向日葵》就是以大面積的黃色作為主要基調，然後配以土黃色、檸檬黃及中黃色等，使觀眾產生一種五彩繽紛、璀璨炫目的視覺感受，也表現出了梵高對美好生活的嚮往。
First, decorate with bright and exaggerated colors. Influenced by the new impressionist painters Pissarro and Shura, Van Gogh abandoned the opaque and heavy colors in the early days of painting and began to use some high-definition, high-purity and high-brightness colors to create a kind of The modern and stylish color decoration effect, his oil painting is therefore more and more bright. Among all the high-purity, high-brightness colors, Van Gogh prefers yellow.
The simple and clear yellow has another layer of meaning, which symbolizes the sun and the earth, and represents light and hope. In the yellow driving, the color brightness and purity contrast of Van Gogh's paintings are very clear, resulting in a bright and bright decorative aesthetic. For example, Van Gogh's "Sunflower" is based on a large area of yellow, and then with khaki, lemon yellow and medium yellow, so that the audience will proce a colorful, dazzling visual experience, but also shows Van Gogh's beauty Yearning for life.
第二，用大色塊的對比進行裝飾。在裝飾色彩中，大色塊的並置對比是一種非常重要的表現手法，雖然這一表現手法早在梵高之前就己經提出，但在梵高的繪畫中得到了最淋漓盡致的表現。梵高畫作中的對比色常常是大塊的且較為平整的，既簡化概括，又能夠增加畫面的厚重感，而且藉助色塊的對比還可以產生一種和諧的視覺效果。例如，《夜晚的咖啡館——室外景》就是用大色塊的對比色進行裝飾，黃橙色的燈光和深藍色的夜空相互對比，使畫面產生了一種縱深感，同時也生動地描繪出了人們的夜生活。
Second, decorate with the contrast of large color blocks. In decorative colors, the juxtaposition of large color blocks is a very important expression technique. Although this expression technique has been proposed before Van Gogh, it has achieved the most vivid performance in Van Gogh's paintings. The contrast colors in Van Gogh's paintings are often large and flat, simplifying the generalization and increasing the thickness of the picture, and the contrast of the color blocks can also proce a harmonious visual effect.
For example, "The Cafe in the Night - Outdoor Scenery" is decorated with contrasting colors of large color blocks. The yellow-orange lights and the dark blue night sky contrast with each other, giving the picture a sense of depth and vividly depicting it. People's nightlife.
第三，用絕對的黑白色進行緩沖。在繪畫過程中，梵高除了追求畫面色彩的明亮歡快及色塊對比之外，還經常用黑白色來緩沖、協調色彩，其常常和對比色出現在同一個場景中。以《播種者》為例，畫面分為上、下兩個部分，上半部分是鮮亮的黃色，下半部分是明亮的紫色，兩種顏色對比非常強烈，過渡也比較直接，會對受眾的眼睛產生刺激。而梵高將畫面中播種者的長褲畫為白色，在黃色和紫色之間產生了一個隔斷，受眾的眼睛也得以獲得片刻的休息。
third
Buffer with absolute black and white.
In the course of painting,
Van Gogh, in addition to his pursuit of bright and cheerful colors and color contrast,
Black and white are often used to buffer and coordinate colors, which often appear in the same scene as contrasting colors.Taking the sower as an example, the picture is divided into two parts, the upper part is bright yellow, the lower part is bright purple, the two colors are very strong, the transition is more direct.Will stimulate the eyes of the audience.Van Gogh painted the sower's trousers white, creating a gap between yellow and purple, and allowing the audience's eyes to rest for a moment.
圖片文字資料來自網路，經言子涵整理翻譯。
分享內容僅為學習交流，作品資料版權歸原作者所有。謝謝！
The picture text data comes from the Internet, and the translation is translated by the words.
The content of the sharing is only for learning and communication, and the right of the works is owned by the original author. Thank you!
❷ 求高清素描臨摹圖片 要靜物組合 單個頭像 至少50張
高清素描臨摹圖片
鏈接:
靜物組合
❸ 急需幾張靜物速寫照片，適合初學者的那種，就像杯子、碗之類的。
❹ 求一張能臨摹的素描靜物組合高清圖片 在線等
素描靜物組合高清圖片如下：
作畫步驟
1、確立構圖
推敲構圖的安排，使畫面上物體主次得當，構圖均衡而又有變化，避免散、亂、空、塞等弊病。
(4)唯美意境靜物圖片大全擴展閱讀
注意
基本色調要准確到位，這里的色調包括光影和物體的固有色。要注意物體質感和量感的表現，質感就是物體材料的屬性。比如它是什麼材料做的是金屬的，玻璃的，還是陶瓷的等等。量感就是物體在視覺上產生的重量，而不是物體本身的重量（中心主體物不一定是很重很暗的物體）。
注意觀察景物的光線變化，靜物的每個角度都有不同的光線視覺效果和變化的，在物體的陰暗處要注意陰影的表達。
❺ 求唯美的動漫圖片。人物，靜物都可以，最好是帶點小清新的，適合做背景的。
❻ 靜物素描圖片
不要按照過程畫，那樣都畫不準！你知道掌握大體的素描步驟就可以了
1.定位（物體大概的位置）
2.透視（物體看不到的或者看得到的結構）
3.找光源（光從那裡照射）
4.利用透視找出投影（自己理解一下..）
5.找出暗麵灰面光面（暗面：最黑的麵灰面：較黑的面光面：被光源照射的面）
6.用排線大概畫出投影和暗面（沒得解釋..）
7.加深投影和暗面的最深處調整明暗（沒得解釋...）
8.畫灰面（用排線畫）
9.畫背景（註：是利用光影來襯托物體而不是用線來畫出物體）（用排線）
10.用紙巾把畫面搽灰（沒得解釋...）
11.找出最光面比較各個光面與光面之間的亮度（沒得解釋..）
12.用鉛筆和橡皮來調整光面（用排線...）
最後處理畫面不完善的地方畫出細節（沒得解釋...）這個就是排線的方法
謝謝！
❼ 急需幾張靜物速寫照片，適合初學者的那種，就像杯子、碗之類的。
❽ 誰能給我超高清的風景或者靜物的照片，要畫素描的。要超高清的。圖片要有內涵的。急需啊。要准備參賽的。
網速不行，沒法上抱歉！
❾ 求一張能臨摹的素描靜物組合高清圖片 在線等
素描靜物組合高清圖片如下：
作畫步驟
1、確立構圖
推敲構圖的安排，使畫面上物體主次得當，構圖均衡而又有變化，避免散、亂、空、塞等弊病。
(9)唯美意境靜物圖片大全擴展閱讀
注意
基本色調要准確到位，這里的色調包括光影和物體的固有色。要注意物體質感和量感的表現，質感就是物體材料的屬性。比如它是什麼材料做的是金屬的，玻璃的，還是陶瓷的等等。量感就是物體在視覺上產生的重量，而不是物體本身的重量（中心主體物不一定是很重很暗的物體）。
注意觀察景物的光線變化，靜物的每個角度都有不同的光線視覺效果和變化的，在物體的陰暗處要注意陰影的表達。
❿ 大自然中的靜物有哪些圖
幾幅大棗檔吵自然中凳侍的靜物攝影圖片蠢察 供參考